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         Why The Need To Protect Wood?

Although wood is naturally durable and strong, the effects of outdoor exposure on wood can destroy not only these physical properties, but its natural beauty as well. Wood exposed outdoors is subjected to both rain (moisture) and sun (ultraviolet radiation), two major factors that can ultimately cause it to lose its natural beauty and strength.

Moisture

Water is one of wood's worst enemies. Whether in the form of vapor or liquid, water can cause shrinking and swelling, which can led to dimensional changes of the wood and degradation of the finish. Water can also lead to decay or rot to occur in wood. In general, it accelerates the weathering of wood exposed outdoors.

Shrinking and Swelling
Wood shrinks as it loses moisture and swells as it gains moisture. More precisely, wood only changes dimension between an absolutely dry state (completely free of moisture) and its fiber saturation point (the point at which the wood fibers are completely saturated with moisture). This fiber saturation point typically occurs at about 30% moisture for most species. At this point, all the wood's water is bound within the cell wall. As moisture content changes above fiber saturation, the cell cavities take on or lose unbound water but the wood cell walls do not change dimensionally. Below the fiber saturation point, however, the wood will change dimension with changing moisture content. A large percentage of wood finish degradation (e.g., painT/stain defects, peeling, cracking results from moisture changes in the wood and subsequent dimensional instability.

Water, Water Vapor Effects
Shrinking and swelling of wood occur whether the water is in the form of vapor or liquid. For example, wood swells during periods of high humidity and shrinks during periods of low humidity; it also swells and shrinks as it gets wet from rain and then dries. As discussed, wood can swell until it reaches fiber saturation point. Rain water can cause wood to quickly reach, or even go beyond, fiber saturation. Problems with poor performance of wood or finishes usually occur when the moisture content of wood reaches or goes beyond fiber saturation. The wetting/drying cycle of wood exposed outdoors can raise the grain of the wood, resulting in a rough surface. On flat-grained lumber, the raised grain may appear as thin knife-like feathers along the earlywood/latewood interface. This degradation leads to eventual checking and cracking of the wood, increasing water uptake, thus accelerating the degradation process.

Discolorations
Moisture contributes to many common wood discolorations--extractive bleeding, iron stain, and mildew. These discolorations, although not harmful to the wood, offer an objectionable appearance to the wood surface.

Extractive Bleeding
Certain types of lumber such as cedar, redwood, mahogany, Douglas fir, etc., contain water soluble extractives (tannic acid) that can be leached to the surface of the wood. The action of the sun can draw moisture (water vapor) from inside the wood through to the surface. As this moisture is absorbed through the wood, extractives are dissolved and then deposited on the exterior surface as the water evaporates. The deposited tannic acid appears as a reddish brown stain. Tannic acid in wood is what gives the wood its natural color and resistance to rot and decay. Extractive-related discolorations can be difficult to remove if they are allowed to remain on a surface for a long period of time

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        Mildew

Definition

Mildew
Mildew is an airborne fungus that can settle and grow on any surface that provides a food source. Among the food sources are wood, plant and tree pollens, bacteria, dirt, and other organic materials. The latter three are often found on wood or on finished surfaces. Mildew spores are microscopic and, therefore, difficult to detect until they colonize. They are transported easily by air currents, insects, and animals. Due to its adaptability and myriad of species, mildew is very hard to control and impossible to totally eliminate. Mildew fungi appear in various colors but are commonly black. In order for mildew spores to form colonies which are more visible, they need food, moisture, air (oxygen) and ideal temperatures (usually between 40 and 90 degrees F.). It is next to impossible to control these four requirements, therefore, paint and stain companies incorporate mildewcides in their products to retard mildew growth. The mildewcides found in paints and stains are not effective in destroying pre-existing mildew. Therefore, it is very important that mildew be completely destroyed prior to staining or painting. Of the four requirements needed for mildew colonies to form, moisture is the most important and may be the easiest to control. If wood is allowed to remain in a damp condition over an extended period of time, mildew will spread. Because mildew has a great attraction to organic materials as a food source, it has a greater tendency to grow on surfaces such as wood, leather, and paper versus inorganic surfaces such as aluminum, vinyl, and glass. Therefore, because of the mildew's stronger attraction to organic materials, it will have a greater tendency to form and develop on wood surfaces than on painted wood, particularly wood painted with synthetic organic polymers such as acrylics.

The term "mildew" is a common term in the paint and coating industry describing an unsightly discoloration of paint film. Mildew is typically a superficial growth produced by fungi. This growth can occur on a variety of surfaces both organic and inorganic origins. Surfaces can be inanimate, such as wood, vinyl, and aluminium substrates; or living materials such as plants. Mildew can also grow on superficial surfaces such as dirt, grease and other industrial pollutants(1). Moisture is the primary environment component necessary for mildew growth, followed in lesser degree by temperature. Consequently, tropical areas have the highest moisture (humidity) and temperature profiles provide the greatest geographic challenges to mildew growth prevention. Hot, dry climates, as you would suspect, see much less mildew growth. Fungal spores are present in air at counts of 100 to over 1000 per m3 of air, depending on geographic location. (2) Even freshly milled wood is immediately exposed to fungi regardless of location. Approximately 100,000 species of fungi exist(3), many of which affect the appearance and performance of coatings.

Effect on Appearance and Performance

Mildew affects coatings in both appearance and performance. Mildew generally appears in two forms, a spore type, which resembles caviar in appearance, or mycelium or filament type. Mildew generally appears as an unsightly discoloration on a coating, thereby making the appearance unacceptable. The performance of a coating may be compromised either by mildew growth on the coating, or by the application of the coating to a mildewed surface. When mildew grows on the coating, increased dirt pickup, cracking, flaking, and loss of adhesion can be realized. When a sound coating is applied to a mildewed surface, the adhesion of that coating to the substrate will be reduced due to the physical interference of the mildew. When an infected coating is applied to a substrate, the above failures can occur even more rapidly.

Interference with Adhesion

Paints are designed to have excellent adhesion to a variety of surfaces. Depending on the paint manufacturer's intentions, a particular paint may be designed to adhere to wood, masonry, vinyl, aluminium and/or other substrates. The presence of foreign matters such as, oil, grease, dirt, mildew, tree pollens and/or other substances on a substrate interferes with the adhesion characteristics of the paint.(4) It is in the homeowner's best interest to ensure that the substrate to be painted is properly prepared for painting.

Intercoat Adhesion of Paints

When mildew has grown on a painted surface, a home owner may be inclined to improve the appearance by applying a coat of paint directly over the mildewed surface. The approach is not a permanent cure. Because of the infestation below that new paint surface, mildew will appear again on the new surface.(5) In addition to the poor appearance of the mildew, a greater problem now exists with the intercoat adhesion of the new paint film on the old paint film. By not following a good surface preparation procedure, the homeowner has allowed the mildew to exist between the old and new coats of paint. Intuitively and quantitatively, we know that this mildew interferes with the new coating's ability to adhere to the old coating. Early failures such as cracking, flaking, blistering, and more can be expected. To ensure the best intercoat adhesion, an acceptable method of surface preparation must be followed.

Effect of mildew on Wood

We have discussed the harmful effects that mildew has on the paint film. However, mildew can also cause serious damage to the wood substrate. The cellulose and resins found in all wood species are nutrients for mildew. In essence, the wood substrate serves as a food source for mildew. If the surface has not been cleaned and prepared properly, or if the paint itself has little or no inherent mildew resistance (more later), the wood substrate will be damaged by the mildew growth. As this damage continues, the substrate's integrity will become compromised and eventual failure of the paint is unavoidable.(6)

Necessary Contributing Factors

regardless of specific species, all fungi require oxygen, water, a food source, and some narrow temperature range to metabolize and reproduce. Typically, fungi cause problems with dry film only, and do not effect the coating in the can as there is usually insufficient oxygen present for metabolism. Fungi need water to grow. Hyphae, small threadlike structures, grow from the fungi into the coating and wood substrate, essentially opening the substrate and making it more porous, thus prone to moisture. Consequently, as the moisture content continues to rise, the fungi flourish. For food, fungi generally metabolize starches, sugars, proteins, fats, and cellulose. Temperatures from 70 and 90 degrees Fahrenheit are ideal for fungi growth. Below freezing, fungi become dormant.

Other factors that can also contribute to mildew growth include the type of coating and its surface characteristics. Generally, top quality latex paints offer the best protection from mildew. As the quality of the paint decreases, the chance for mildew growth typically increases (a further discussion will follow under MILDEW CONTROL). Also., latex paints generally show less mildew that alkyd paints.


Mildew Control

Surface Preparation

If mildew is already present on a substrate, the mildew but be killed and removed before the substrate is finished, or else the mildew will grow through the new coating. To kill mildew and remove mildew from the surface, follow the steps outlined below:

1. Using a spray canister(one designed for insecticide application will do) available at most hardware stores, apply the following solution liberally to the substrate and allow to set for about 10-15 minutes:

·         a. 3 quarts water

·         b. One quart common household bleach

·         c. 1/4 cup maximum of liquid dishwasher detergent (ammonia-free)

The bleach is the key component that actually kills the mildew. Allowing this solution to set for five minutes give the bleach time to settle into any crevices and hard to reach place to kill all the mildew present. Skipping this 10-15 minute set time may result in an inadequate job. The detergent is added in a small amount to help emulsify any mildew or dirt to aid in its removal. Liquid dishwasher detergent is the best choice it will not foam like regular dish or laundry detergent.

2. Using the same solution, wash the substrate clean using a power washer. A Second choice if a power washer is unavailable is to scrub the surface with the same solution. Far masonry substrates use a wire brush. For wood, use a softer bristle brush. And for substrates sensitive to abrasive damage like aluminium and vinyl siding, use a sponge.

If mildew was present on the original substrate or previous coats, and a new finish coat is already applied, the mildew will grow through the coating. It is usually impossible to stop mildew growth at this point. All the coatings must be stripped down to the original substrate and then cleaned as described above before applied a new coat. (7)

Mildewcides

Mildewcides are chemicals added to coating formulations to help stop mildew growth on the coating. There are a wide variety of mildewcides used in the paint and coatings industry. 

Zinc Compounds

Zinc Oxide
Zinc Omadine
Zinc Borate

These chemicals are usually listed on the label of a coating product, although exact amounts are not usually revealed. One particular combination of mildewcides, Zinc Oxide and 2-n-octyl-4-isothiazolin-3-one, has shown a synergistic effect when used in combination.(8) For the consumer, attempting to study can label analysis to determine the best mildew resistance of a coating would be tedious and non-productive. Simply the best way for the consumer to gauge mildew performance is by the overall quality of the coating. Top quality latex coatings will offer the best mildew protection in nearly all cases.

Pretreatments and Preservatives

Above we discussed surface preparation before recoating a substrate. After proper surface preparation has been done, one may chose to apply a special coating before applying the finishing coats. Types of special coatings include primers, wood preservatives, and sometimes semi-transparent stains. Primers are used when the finish coats are opaque. Paints, Opaque Stains and Timber Finishes are examples of opaque finishes. Wood preservatives can be used under opaque finishes, but are also very popular under semi-transparent stains. Semi-transparent stains themselves can be considered a pretreatment when used under a clear coating. This is popular in cases where someone wants the natural look of a semi-transparent stain, but desires the added protection of a clear coat.(9) Each type of pretreatment has its own recommendations for application so following the label instructions is a necessity. Regardless of the type of pretreatment, proper surface preparation is essential to insure adequate performance.

 

Ultraviolet Radiation (UV)

Regardless of the care taken in building a structure, wood ages when exposed outdoors. The sun's ultraviolet rays begin to degrade the surface of unprotected wood within weeks of outdoor exposure. The sun's ultraviolet rays will change the color of the wood. Cedar and Redwood will tend to get lighter after initial installation as the colored extractives and lignin are removed. Light wood, such as pine and fir, tend to get darker. Rain washes the degraded wood materials from the surface. Erosion is more rapid in the less dense earlywood than in the latewood, which leads to an uneven surface. In many cases, the wood erosion will also provide an uneven and eventual darkening of the wood's surface as mildew develops. In some climates, such as along the seashore, wood tends to weather to a silvery gray. This change in color is followed by a loosening of wood fibers and gradual erosion of the wood surface. The sun's ultraviolet rays also provide problems for clear natural finishes.

 

        Clear Natural Finishes

Given this delicate balancing act, stain and paint manufacturers have produced a number of clear products to meet the aesthetic desires of the homeowner, as well as the protective requirements of the wood. Clear natural finishes generally fit into three categories: Water-Proofing/Water-Repellent Sealers, Wood Preservatives, and UV-Resistant Clears (blocking or absorbing). Some clear natural finishes on the market today may combine characteristics from more than one of these three categories. Air quality regulations along with changing technology, have resulted in an abundance of new clear formulas on the market. High solids, water-based, oil emulsion, and traditional solvent-based are just a few examples of the different types of clears sold within each of the three categories of clear natural finishes. Also, some of these new clear natural finishes may be film forming and not penetrate the wood's surface and are themselves subjected to the same problems they are trying to prevent (moisture, UV degradation). Thus, when choosing a clear product, it is important to match the aesthetic desires with the protective requirements of the wood, and at the same time to understand the performance limitations of the product.

Water-Proofing/Water-Repellent Sealers
Water-proofing clear products are often confused with water-repellent products. Water-proofing products form a membrane designed to withstand hydrostatic pressure (like wind-driven rain) and keep water out of a home. Water repellents shed water, like rain water or water from a sprinkler. Water-proofing coatings are often elastomeric and are designed for brick, stucco and other masonry surfaces, not wood. Clear products that fall into the water repellent category are clear, penetrating finishes. They typically contain a large amount of wax, usually paraffin, that decreases the amount of water absorbed into the wood, thus preventing swelling, shrinking, warping, and splitting. Because moisture is repelled, mildew growth is slowed. These products often provide spectacular beading of water upon initial application. However, they offer wood little protection from the sun's ultraviolet ray, resulting in the eventual discoloration to a gray, and then black from the ultimate growth of mildew. In addition, water repellent sealers rarely contain more than 20% of resin. When water repellent sealers are subjected to degradation by the sun's ultraviolet rays, the result is a loss in the water beading effect. The life expectancy of these products typically ranges from six months to one year on horizontal surfaces (decks), and on to two years on vertical surfaces.

Wood Preserving Finishes
Wood-Preserving Clear Finishes differ from water repellent finishes in that they also contain a minimum amount of an EPA approved and registered pesticide. These clear finishes are very similar in appearance to water-proofing/water-repellent sealers. If the pesticide is there to preserve the wood, it's usually registered. If the pesticide is there to protect the clear finish itself, it may or may not be registered. This is not to say that pesticides (mildewcides and fungicides) are not important. Mildewcides and fungicides are important to all clear natural finish formulations and most manufacturers incorporate some mildewcides and/or fungicides into their products. The addition of these specific EPA approved pesticides to the product in specific quantities, and the subsequent EPA registrations, allows manufacturers to use the words "Wood Preserving" when describing the product. Some common pesticides/mildewcides used in these products which provide decay resistance to wood include: 3-iodo-2-propynyl butyl carbamate, zinc naphthenate, copper naphthenate, bis (tributyltin) oxide (TBTO) with N-tricholoromethylthio phthalimide and copper-8-hydroxyquinolate.

Wood Preserving Clears contain a preservative and wax, as well as a resin and solvent. The wax reduces the absorption of liquid water by the wood, and the preservative prevents wood from darkening by inhibiting the growth of mildew and decay organisms. However, without special ultraviolet radiation absorbers, Wood Preserving Clear finishes will not protect the wood surface from the sun's ultraviolet rays. The resulting wood degradation causes the release of wood fibers, exposing underlying, unprotected wood fibers, which turn gray and then black from fungi attack. In addition, wood preserving finishes generally contain less than 20% binder or resin. As with water proofing/water repellents, the wax in the product quickly breaks down on the lateral surfaces and the water beading properties vanish. The life expectancy of these products can range from six months to one year on exposed surfaces. However, the water repellence absorbed in the end grain will be effective for many years. Also, after the wood has gradually weathered, additional treatments may last longer because the weathered boards absorb more finish.

Paintable Wood Preserving Clears may also be used as a treatment for bare wood before priming and painting or in areas where old paint has peeled, exposing bare wood. This treatment keeps rain or dew from penetrating the wood, especially at joints and on end grain, thus decreasing the shrinking and swelling of the wood. As a result, less stress is placed on the paint film, and its service life is extended. For treating bare wood, make certain that the manufacturer's label indicates that the Wood Preservative Clear is paintable. Some products have too much wax or other water repellents and the paint will not adhere adequately.

Wood Preserving Clears are becoming scarce in today's marketplace due to increased restrictions on the use of some of the more commonly used pesticides. Also, the value of adding these pesticides (cost versus long term durability of the finish), has caused manufacturers to take a closer look at formulations containing the levels of pesticides necessary to claim "Wood Preserving" properties. More recently, the widespread availability and use of pressure-treated wood has also had a negative affect on the popularity of Wood Preserving Clears.

UV Resistant Clears
This is the broadest category of clear natural finishes on the market. Pigments and organic chemical additives are used as light absorbers (or screeners) to protect the products binder from degradation by the suns ultraviolet rays. The pigments that are used most frequently are either a transparent form of iron oxide that reflects UV radiation or ultrafine titanium dioxide. The organic chemical additives are of two types--ultra violet absorbers (U-VA) and hindered amine light stabilizers (HALS).

Ultraviolet absorbers are designed to work by absorbing the sunlight, especially ultraviolet radiation and dissipating the energy as heat. During this process, some are destroyed, limiting the effective life of the product. Hindered amine light stabilizers (HALS) act as scavengers for the components of the coating (binder and pigments) during degradation, and through this process, block further degradation of the clear finish and the wood. Generally, U-VA's, HALS, and pigments are used synergistically to offer the best protection of the wood surface.

UV-Resistant Clears are, many people feel, the solution to the delicate balancing act of the aesthetic desires of the homeowner and the protective requirements for the wood. UV-Resistant Clears are not "water" clear, but rather products that impart a slight color tone from the use of transparent transoxide pigments or titanium dioxide and penetrate into the wood surface. Thus with UV-Resistant Clears, various "colors" are available. Transoxide pigments are translucent and thus highlight the natural grain, texture, and beauty of the wood. Transoxide pigments are also versatile, finding success not only in traditional solvent and oil-based product formulas, but also in the latest formulas that meet tighter air pollution (VOC) regulations, such as oil emulsion, high solid oils, and water-based formulations. The life expectancy of a UV-Resistant Clear finish is twice that of water-proofing/water-repellents and wood-preserving finishes and can range from one to two years on horizontal surfaces (decks), to two to four years on vertical surfaces.

 

 

 


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Last modified: August 28, 2014